The person responsible for the murderous rampage is revealed to be mentally unbalanced.
There is another character whose backstory plays with the tropes of the murderous genius a la Hannibal Lecter.
In the second episode, a robot character falls in the water and dies, but it's the injuries he received beforehand that kill him; there's no suggestion that being submerged is a problem for him in itself.
The main character is a robot whose hands can morph into weapons. The morphing itself may be disconcerting, and in some instances his hands end up damaged after the weapon is used.
In the seventh episode, a human-looking robot character deliberately detaches his own hands to form part of a defensive apparatus, and there are several subsequent scenes involving people interacting with the detached hands.
A robot character was impaled on a large spike at some point before the start of the story, and remains impaled because there's no way to remove it without killing him.
In the first episode, a character describes how his life has been shaped by being abandoned by his mother when he was young. His story is depicted in flashback as he tells it, and there are several scenes where he relives it as a recurring nightmare.
In the fourth episode, a character finds a dirty and damaged robot dog that has been abandoned by its owner; the sequence is framed the same as if it were a dirty and injured living dog.
In the fifth episode, a character finds a kitten out on its own and speculates that it has been abandoned by its owner, but the story moves on before that's confirmed or refuted.
Several of the robots' creators/parental figures are abusive, in particular Pluto's "father", Professor Abullah, and Atom's "father", Doctor Tenma.
(Also -- I'm not sure if this is the right category for this, but I couldn't see a better one -- in the seventh episode there is a corrupt Child Services official who accepts a bribe to let a child be fostered by someone who doesn't mean him well despite several obvious red flags.)
An antagonist controls a huge swarm of tiny cockroach-like robots, which first appear in the third episode and appear in nearly all subsequent episodes. Includes disturbing imagery like a horde of cockroach-robots emerging from the mouth of a human-looking robot.
In the first episode, there is a brief flashback of a character being pushed to the ground and kicked by school bullies when he was a child.
In the fifth episode, there is a child who has been beaten up by bullies; the beating itself is not shown, but his injuries are, and he talks about the psychological toll of being repeatedly targeted.
In the second episode, a robot character's head is removed as part of a procedure to transfer it to a different robot body.
In the seventh episode, a robot character is killed in battle, with the killing blow being depicted as a decapitation.
The second episode features imagery that resembles a hanging and may be disturbing. A murder victim's body is found suspended from a tree, with the dangling feet shown first. A wider shot shows that the rope is looped under the body's arms, not around the neck, and it's later established that he died before being suspended, but it's not initially clear that it isn't a hanging.
A recurring character is a damaged robot with one of his eyes hanging out of its socket in a way that evokes a human eye doing the same thing.
In the fifth episode, a robot character loses an eye during a fight; the loss is not shown, only the damage afterward. Later in the same fight, there is a moment where he is threatened with a sharp object held near his other eye. Later in the fifth episode, another robot character has an eye damaged (among other injuries) after an explosion. There is a similar sharp-object-near-eye moment in the eighth episode when another character fights the same antagonist.
In the eighth episode, a robot character has an eye destroyed during the climactic battle.
In the third episode, there is a flashback to just after a small child was killed during the War. Neither the death itself nor the child's body are shown, only the grieving father.
In the fourth episode, there are several flashbacks involving the deaths of children, and in the present-day plot a sequence in which three children are in peril and one is apparently killed.
In the fifth episode, there is a sequence involving a criminal repeatedly kidnapping and murdering children (this is not depicted on screen, but some of the parents having to identify the bodies afterward is). The child who was apparently killed in the previous episode is revealed to be in a coma with still some hope of being revived.
The sixth episode has more flashbacks involving the deaths of children.
In the seventh episode, children are in peril at several points, but survive, and the child who was in a coma regains consciousness.
The eighth episode has a more detailed flashback to one of the incidents from the fifth episode.
At the climax of the seventh episode, a character gives up his own chance of survival in order to protect someone else.
At the climax of the eighth episode, a character takes another's place in a fight that neither has a chance of surviving.
First episode: A robot character killed at the beginning of the episode is mourned by his creator, who refers to him as "my son". A police officer is killed in the line of duty; there are scenes where another officer notifies his wife and she is shown dealing with his death.
Second episode: See "Does a parent die?".
Third, fourth, fifth episodes: Part of the plot involves a man dealing with the deaths of his father and brother before the story started.
Sixth episode: A character is killed, and there are several subsequent scenes of his wife grieving.
Seventh episode: See "Does a parent die?"
In the second episode, a character with adopted children is killed. The children are seen crying at the funeral.
In the third episode, a character recalls in a flashback the death of his father and how it shaped his life.
Seventh episode: A character with foster children is killed; one of the children witnesses the event, and is shown grieving.
In the fifth episode, there is a sequence involving a criminal repeatedly kidnapping and murdering children (robot children, but robots are people in this story). The actual kidnappings are not depicted; the focus is on the police responding and trying to find the kidnapper.
Part of the seventh episode revolves around a child being taken from his family and held as a hostage.
Scenes in the second, third, fourth and fifth episodes take place on the Mediterranean coast. At one point in the second episode a character falls into the sea. At one point in the fifth episode a character falls into the sea.
The third episode also has several scenes in a park with a lake, including one underwater shot near the end of the episode.
The seventh episode has some bodies of water in establishing shots, but nobody goes near them.
The "Central Asian Conflict" that forms an important part of the backstory is modelled on the USA's invasion and occupation of Iraq following 9/11, including a character modelled on Saddam Hussein. There is however no event directly equivalent to 9/11 itself (the conflict begins at the point where the "United States of Thracia" accuses "Persia" of secretly building weapons of mass destruction).
A lot of the devices that are used to hook up humanoid robots to machines for maintenance, chip readers, etc. may be considered body horror for some as many of these robots appear human otherwise. Often devices are inserted into their "skin".
A robot character is revealed to have several personalities, with the friendliest and most often public-facing alter unaware that the others exist. It's not technically D.I.D., being a fictional condition with no direct human equivalent, but it does draw on common tropes from D.I.D. misrepresentation in fiction.
In the fifth episode, a character attempts suicide, and in a different scene another character goes to a bridge with the intention of committing suicide but is interrupted before making the attempt.
The sixth episode has a reference near the beginning to the suicide attempt in the previous episode, and also reveals that the main character was suicidal at a point in the past.
In the seventh episode, a character asks to be killed as an escape from his suffering.
In a flashback in the eighth episode, a character is shown contemplating suicide to avoid capture before another character intervenes.
The main character has intrusive flashbacks to a traumatic experience he doesn't consciously remember, triggered when he encounters similar situations.
In the third episode, there is a conversation about people, including children, traumatized by the war, and another character who has traumatic flashbacks.
The seventh episode features one of the traumatized children introduced in the third episode.
Second episode: Approximately 45 minutes in.
Third episode: One shot in the final scene of the episode.
Fourth episode: One shot when some characters are caught in a big wave.
Sixth episode: Two brieft shots during the sequence where the main character is exploring an underground tunnel with a water channel running along it.
In episode 4 there is a character who is, or presents himself as, a religious zealot who preaches that God has given up on the human race and wants robots to wipe them out and take over.
Non-sexual nudity. There is a dream sequence at the beginning of the seventh episode featuring a crowd of naked people. All the shots are framed so that nipples, genitalia, etc are out of shot or hidden behind another person.
In the first episode, a character's backstory involves him being continually ill as a child. A flashback sequence shows him wasting away in hospital while the voiceover describes how he nearly died before a remedy was found.
Especially (but not solely) in the recurring nightmare in episodes one and six and the series of flashbacks in episode five that reveal the event that caused the nightmare.
Many explosions, but none are identified as nuclear. There is a very large explosion in episode 7 that may be reminiscent of a nuclear explosion, though in-story it's explicitly stated to be something else. Part of the plot of the final episode involves locating and disabling a bomb with a technobabbly name that can be understood as metaphorically equivalent to, if not actually, a nuclear bomb; it is disabled before it explodes.
Flashbacks to weapons being fired during a war. In the present plot, criminals with firearms and police officers, including the main character, with firearms.
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